“There is nothing (-/+) here,” concludes Sylvia Y. Cyrus, executive director of the Association for the Study of African American Life and History (ASALH). Cyrus affirms that this month is a “very important celebration of American history and provides the opportunity for Americans to celebrate the contributions of Blacks.”
Our contributions have only been hidden by white peoples hatred of it’s truth…the only reason why we didn’t know is because they successfully took advantage of what we we’re already living, appreciating and defended…on the grand scale they wanted what they couldn’t tolerate and they wanted to see it die because they couldn’t benefit from it!!!! I don’t play games this once just know your why I prove my points on your hatred of my existence.
— Read on seattlemedium.com/black-history-month-hashtag-viewed-as-disgraceful/
It started with a Facebook post. Curator and entrepreneur Shantrelle Lewis took to the social-media site to find sharp-dressed brothers…
— Read on www.google.com/amp/s/www.ebony.com/ebony/shoppe-black-entrepreneur-married/?amp
The sad and harsh reality for Black people is that there is nothing that separates the Trayvons, Erics, and Sandras from any of us,” says Atlanta-based photographer Ervin A. Johnson of the young African American men and women victims of police violence in the United States. As a Black man, the photographer has faced that fact head-on, and from the anxiety and despair that comes with it, he derives the power to make his voice—and so many others—heard. For #InHonor, Johnson applies solvents to his photographic portraits, allowing the physical distortion of pigment to stand in for the brutality that has been and continues to be done to living, breathing Black bodies.
#InHonor, admits Johnson, resulted in large part from the guilt that came with standing on the sidelines while others marched and in some cases, risked their lives in protest of the persecution of Black Americans. The shootings, strangulations, and abuse of Black citizens brought with them currents of fear, intimidation, and feelings of helplessness; these experiences, stresses Johnson, are not unique to him, but ultimately, he chose to speak out in a way that only he could do.
Johnson began by photographing his friends and acquaintances and was quickly overwhelmed with eager faces wanting to be a part of the #InHonor movement. He continues to photograph throughout Atlanta, New York, and Chicago, with upcoming sessions in the latter in November. The process of decomposing the prints is one he’s honed over a long period of time, and he’s hesitant to go into technical details, explaining only that he has over the course of the project gained control over the ways in which various solvents interact with and disrupt the photographic paper.
While many have been quick to comment on the aesthetic merits of Johnson’s method, he confesses that hearing people describe the work as “beautiful” is upsetting. With each portrait, the artist and his subject have revisited the traumas people who have died and been violated, and in turn, they have acknowledged that they are in fact, as innocent men and women of color, in very real danger. The process is a painful one, and the erasure of pigment, no matter how artfully executed, is a reminder of violence and an elegy to those who have been lost to it.
— Read on www.featureshoot.com/2015/10/inhonor-portraits-make-visible-the-violence-that-has-been-done-to-black-bodies-cry-out-for-change/
William Claire Harding was born in Wichita, Kansas, on November 13, 1904. I don’t know anything about his parents or his upbringing, but indirect evidence suggests that the family probably moved to Chicago when he was relatively young. In the early 1920s he attended Knox College of Galesburg, Illinois, for at least a year; by fall 1924, he had transferred to Wilberforce University in Ohio, home of one of the best black college football teams in the country. He also played basketball and baseball in college, but he was best known as a quarterback and punter.
At the time there was evidently a problem with what you might call “revolvers” in black college football, players who used up their eligibility at one school, then simply moved on to another one. Elwood Barker blew the whistle on this sort of activity in a 1933 article in the Chicago Defender, noting for example that “a few years ago” a number of players at “a certain school in Georgia” popped up two years later, en masse, at “another school in Tennessee and being called young blood” (Chicago Defender, September 9, 1933). Often the college teams claimed that new players were freshmen recruited out of high school, touting recommendations from their former high school coaches, when in reality the school had simply recruited them from a rival. The insinuation here is that the players were being paid under the table, and that at least the major colleges were effectively running professional or semi-professional football teams.
Halley Harding, wrote Barker, departed from the usual pattern, first by essentially doing his own PR work, developing a network of contacts among the sportswriters of the black weeklies; and second by advertising the fact that he was moving from college to college rather than trying to conceal it. His openness apparently didn’t hurt his college career; aside from Knox and Wilberforce, Harding also played for Wiley College in Texas and Fisk University, running up a total of at least seven (and possibly more) college football seasons from 1924 through 1931.
— Read on agatetype.typepad.com/agate_type/2013/02/halley-harding.html
The first recorded mention of all-Black hockey teams appears in 1895. Games between Black club teams were arranged by formal invitation. By 1900, The Colored Hockey League of the Maritimes had been created, headquartered in Halifax, Nova Scotia. Despite hardships and prejudice, the league would exist until the mid-1920s. Historically speaking, The Colored Hockey League was like no other hockey or sports league before or since. Primarily located in a province, reputed to be the birthplace of Canadian hockey, the league would in time produce a quality of player and athlete that would rival the best of White Canada. Such was the skill of the teams that they would be seen by as worthy candidates for local representation in the annual national quest for Canadian hockey’s ultimate prize – the Stanley Cup. Black Hockey Leadership -1895 They were more than educated Blacks, in fact they were the first generation of Black men who refused to answer the ageless question: “Whose Negro Are You?” The first of their race to demand what was rightfully theirs; the first generation to refuse to stand at the back of a line…Today there are no monuments to the Colored Hockey League of the Maritimes. There is no reference to the league in any but a few books on hockey. There is no reference to Henry Sylvester Williams, James Johnston, James Kinney or the scores of players who wore the Colored League uniforms. There is no reference in the Hockey Hall of Fame of the impact that Blacks had in the development of the modern game of hockey. No reference to the Black origin of the slap shot
In 1946, the columnist for the now-defunct Los Angeles Tribune, represented a group of African-American newspapers in delivering a rousing address to the Los Angeles Coliseum Commission.
He implored the commissioners to stipulate that the NFL franchise on the verge of moving to the West Coast, the champion Rams, would not be allowed to use the taxpayer-supported venue unless it provided opportunities for black players to integrate what was then a lily-white league.
— Read on amp.usatoday.com/amp/77788824
The salient reality is that no one can deny the historical truism that the Greeks (the world’s first Europeans) went to ancient Kemet to study at the Temple of Waset (later called Thebes by the Greeks and Luxor by the Arabs).
In his magnum opus, A Lost Tradition: African Philosophy in World History, (1995) Dr. Theophile Obenga quotes Aristotle ranking Egypt as “the most ancient archeological reserve in the world” and “that is how the Egyptians, whom we (Greeks) considered as the most ancient of the human race” (p. 45).
According to Dr. Obenga: “the ancient Greeks traced all human inventions to the Egyptians, from Calculus, Geometry, Astronomy and Dice Games to Writing…Since the time of Homer, Egyptian antiquity functioned strictly as a highly memorialized component of Greek history. Herodotus said it, Plato confirmed it, and Aristotle never denied it.” (p. 47). Indeed, in their book, A History of the Modern World (1984), R. R. Palmer and Joel Colton, corroborate this historical truism by contending that:
Europeans were by no means the pioneer of human civilization. Half of man’s recorded history had passed before anyone in Europe could read or write. The priests of Egypt began to keep written records between 4000 and 3000 B.C., but more than two thousand years later, the poems of Homer were still being circulated in the Greek city-states by word of mouth. Shortly after 3000 B.C., while the pharaohs were building the first pyramids, Europeans were creating nothing more distinguished than huge garbage heaps…
— Read on www.africaspeaks.com/reasoning/index.php